Wednesday, 13 June 2012

[N591.Ebook] Download The Biz: The Basic Business, Legal and Financial Aspects of the Film Industry, by Schuyler M. Moore

Download The Biz: The Basic Business, Legal and Financial Aspects of the Film Industry, by Schuyler M. Moore

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The Biz: The Basic Business, Legal and Financial Aspects of the Film Industry, by Schuyler M. Moore

The Biz: The Basic Business, Legal and Financial Aspects of the Film Industry, by Schuyler M. Moore



The Biz: The Basic Business, Legal and Financial Aspects of the Film Industry, by Schuyler M. Moore

Download The Biz: The Basic Business, Legal and Financial Aspects of the Film Industry, by Schuyler M. Moore

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The Biz: The Basic Business, Legal and Financial Aspects of the Film Industry, by Schuyler M. Moore

Today's film industry is a legal and financial obstacle course that all independent filmmakers must learn to master. In view of this, The Biz--a highly accessible overview of the industry's important business, legal and financial aspect--is a must-read for all filmmakers. It includes thorough explanations and discussions of: Film-industry business jargon; Raising financing; Business structuring; Securities laws; Budgeting essentials; Dealing with the guilds; Loans; Completion guarantees; The legal and financial ramifications of distribution deals; Calculating net profits; Film-industry accounting practices and contingent payments; Copyright, publicity, and trademark laws; Screen credits; Talent demands; Litigation problems; Bankruptcy; Taxation of film companies; The Internet distribution of film . . . and much more. The Biz also includes a dozen useful sample forms and agreements.

  • Sales Rank: #1919741 in Books
  • Brand: Brand: Silman-James Press
  • Published on: 2000-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .81" h x 6.99" w x 9.15" l,
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

About the Author
Schuyler M. Moore, Esq., is a partner in the corporate entertainment department of the Los Angeles office of the national law firm Stroock & Stroock & Lavan, LLP. Mr. Moore has been practicing entertainment law since 1981, and he represents a broad spectrum of clients throughout the industry, including producers, sales agents, foreign distributors and financiers. He is the author of Taxation in the Entertainment Industry and an adjunct professor of entertainment law at UCLA Law School.

Most helpful customer reviews

20 of 22 people found the following review helpful.
Handbook for Entertainment Lawyers
By A Customer
Mr. Moore teaches at UCLA, and his course is extraordinarily well attended. His book is considered a must-have for lawyers working in Entertainment, and although the focus is law, I think it would be a handy reference for anyone new to the creative side of Entertainment, especially those seeking to protect themselves and their interests when making deals and such.

8 of 8 people found the following review helpful.
Complete, informative, funny-- what more can you ask for?
By frumiousb
I was afraid when I picked up _The Biz_ that it was going to be a dry read-- legal aspects of any business are not known for being a scintillating read. However, I am happy to report that it was not only a quick and interesting read, it was a genuinely funny one. Moore had me laughing out loud on several occasions.

Even granted that this is not a book you read for the humor, it is refreshing to see a reference book so well written. My only quarrel was that I would have liked to see a bibliography included with the book in case I wanted to go in depth into any of the areas covered.

1 of 1 people found the following review helpful.
Not enough practical application of knowledge.
By Trevor Ward
It's got a lot of lawyer speak but not a lot of advice or specific case studies. I was hoping to read it and have some ideas how to structurally set up my film's financial setup but I'm not any closer to doing that. This book does a REAL good job of scaring away investors in films and pretty much says that if you're an investor, don't bother because every contract is set up so that the director and producer will always make money and there will never be any for the investors.

See all 8 customer reviews...

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